Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Dancer Adjusting her Slippers oil painting


Dancer Adjusting her Slippers

Painting ID::  804 		Edgar Degas
Dancer Adjusting her Slippers
   
   
     
Edgar Degas Two Dancers in Blue oil painting


Two Dancers in Blue
1899
Painting ID::  805 		Edgar Degas
Two Dancers in Blue
1899
   
   
     
Edgar Degas Danseuses Bleues oil painting


Danseuses Bleues

Painting ID::  806 		Edgar Degas
Danseuses Bleues
   
   
     
Edgar Degas Ballet Dancers in the Wings oil painting


Ballet Dancers in the Wings
1890-95 Pastel on paper 28 x 26 in. (71.1 x 66 cm) Saint Louis Art Museum, St. Louis
Painting ID::  807 		Edgar Degas
Ballet Dancers in the Wings
1890-95 Pastel on paper 28 x 26 in. (71.1 x 66 cm) Saint Louis Art Museum, St. Louis
   
   
     
Edgar Degas Seated Dancer Tying her Slipper oil painting


Seated Dancer Tying her Slipper
1880
Painting ID::  808 		Edgar Degas
Seated Dancer Tying her Slipper
1880
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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